David Hockney, Terence Conran, and me…

IT’s confusing but is it a crime for a socialist to be interested in retail? Whatever, I am both! It’s probably genetic, not to say even a bit Marxist! Each time a department store or other shop opens, I like to be there.

Terence Conran visited each of his ‘Habitats’ launched throughout Britain in the 80s. So it was in the Chester branch, he exclaimed, “you snob,” when I told him, how now anyone could buy a print, David Hockney would no longer be my favourite artist.

But on Friday/Saturday I’m off to indulge in more of this old Yorkshireman’s brilliance at the Barbara Hepworth award winning gallery in Wakefield.

Lilies

In 1958 Alan Davie, Scots painter and musician had his first solo exhibition at Wakefield Art Gallery, which went on to tour nationally and launched Davie’s career. A young attendee at the Wakefield exhibition was David Hockney, then a student at Bradford College of Art!

The exhibition was a pivotal influence on Hockney’s artistic development and shortly after this visit, Hockney moved to London to take up a place at the Royal College of Art. Here he discarded, as Davie had, realist figurative painting in favour of colourful, gestural works that combined abstraction with coded text and symbolism.

Hockney:hepworth

The exhibition will bring together around 45 paintings and works on paper by Alan Davie and David Hockney, many of which have not been seen publicly for decades. It will trace the parallel paths of these key figures of post-war British painting, revealing creative convergences and shared themes of passion, poetry and love as their works of art evolved from figuration to abstraction.

Thanks to Conran, everyone knows Hockney. Now I’m about discover Davie who sounds like renaissance man!  Musically, Davie played piano, cello, and bass clarinet. In the early 1970s his interest in free improvisation led to a close association with the percussionist Tony Oxley. His paintings have also inspired music by others, notably the bassist and composer Barry Guy.

Set within the context of 1960s counterculture and the popularisation of art through diverse new forms of media, the exhibition represents an exciting moment in British art and the emergence of a radical new art world. Told you so. It’s why Hockney was my favourite until no longer radical, through the 80’s retail fiascos, I dropped him and went back to Picasso!

 

 

 

 

 

 

 

Like Helen of Troy, it’s ‘the face to launch a thousand ships!’

 

PAOLO Riversi believes that ‘photography is the revelation of another dimension’. His skills at devising a myriad of shots over decades is celebrated during an exhibition in Milan today.

“I am not interested in the everyday or the commonplace. They carry no emotions for me,” Roversi ‘master of the dreamy, the fantastic and the ethereal,’ tells The Business of Fashion.

“Paolo Roversi, Stories” is the main exhibition in the stunning Appartamenti del Principe on the top floor of Milan’s Palazzo Reale for the Vogue Photo Festival, curated by Alessia Glaviano, current photo editor of Italian Vogue

Among the intricate tapestries, gilded stuccoes and marble floors, are photographic selections, including a full series of unpublished portraits of Rihanna, outtakes from an album cover shoot.

RihannaFace

Whether the styling is eclectic, decadent, or divine the focus is always the face.

If for Fashion or the Music industry Roversi wants each carefully crafted image to tell a story.

“It is about fantasy, fabric, invention. In order to work, however, a fashion photograph must function in two ways: it has to be the portrait of a woman wearing a dress, but also the portrait of a dress worn by a woman.”

Vivienne Westwood interpreting her own creations, discussing her own work, explains, “The  silhouette looks like an ant on stilts, the head comes out looking more important, and with the shoes, forming a pedestal to give particular power and expression to the most erotic part of the person, the face.”

The Fashion geniuses  Roversi and Westwood are artists who pay homage to the Renaissance painters whose portraits make up the stories of  earlier lives, loves and eternal emotions.