Screens, Dreams and Hollywood hell!

STANLEY TUCCI was a delight in The Devil Wears Prada and I can safely say his performance as Jack Warner in Feud is another tour de force.

It’s a cameo role, in some ways, which probably shouldn’t be described as a tour de force but you feel that only Tucci could make the monster bearable!

“You want to be true to the piece, number one, and you want to be true to him,” Tucci says. “Being true to him is just being this outwardly very charming, fast-talking, well-dressed fella — and then behind the scenes he’s a ruthless misogynist.”

The Los Angeles Times celebrates his performance with the headline, “As a misogynist studio head in ‘Feud,’ Stanley Tucci spotlights a sexist Hollywood.”

Tucci has an extraordinary gift. As the camp, perfectionist, company-man, top stylist in ‘Devil‘ he transforms into a caring, mentoring friend to the bullied Andrea (Andy) Sachs (Anne Hathaway). In Feud: Bette and Joan, he has a searing humanity, not shaken off course even through a lens of towering greed and control.  It’s quite wondrous. FEUD: BETTE & JOAN -- Stanley Tucci as Jack Warner. CR: Kurt Iswarienko/FX.

I watched all eight episodes yesterday!

Forget the broomstick for London Fashion Week!

DevilIssieThe last time I saw Toby Howarth it was Hallow’een.  The seven years old ingenuous angel asked, “Haven’t you come on your broomstick?’ It wasn’t difficult to guess the sort of thing his aunt and mother had been saying about me!

I’m superstitious about wearing black when visiting children, so I expect he thinks I’m at least a white witch!

Because I’m going to see him again, en route from London, I’ll be clad in shades of blue from head to toe.  I did plan on wearing ‘Le Casual de Marithe Francois Girbaud’ in gris et noir for the Burberry A/W show in Kensington Gardens.

Must try to get to Sassoon’s on  way to the 2pm Fashion bash.  I need to have a look for the Anne et Valentin ‘Objet 3’ spex now necessary for the little blue-stockinged teacher rather than the post-Chanel, Parisienne, fashion writer!

If Christopher Bailey spots me at the show, in close-up, maybe his next collection will be the look this strange little narcissist can adopt whether as witch, blue-stocking or fairy godmother in glasses.

Rushing off to Dorset means I’ll miss the Isabella Blow at Somerset House but here she is, above left, in a scene from ‘FASHION MEDIA PROMOTION  the new black magic,’  with another wonderful maverick Anna Piaggi! I will fantasise a meeting with them on the train!

More Audrey Hepburn than Bridget Jones – for Burberry babes off to the office!

A transparent vinyl jacket embellished with light-reflecting crystals. Cut with a clean silhouette, the design features hand-applied gemstone motifs in a geometric placement.
A transparent vinyl jacket embellished with light-reflecting crystals.

WATCHING Anna Wintour’s arrival to the black-cloaked coven of Fashion’s wizards and witches wonder if Christopher Bailey had stage-managed this contrast to his S/S14 show of  light, lacey, palest lilacs, peaches, and hybrid roses imaginable?

Counted among the Cartiers, the Tiffanys, the Armanis of world Fashion, for Burberry, there was no need to re-work images, or ethos, or make connections to officers in the trenches for this London Fashion Week!

Models appeared in jolly embroidered peach and pink with a grey slender belts.  The soft wool overcoat, thrown over filmy lace, is  four inches below the knee, slightly curved from the shoulders to the hem, in cream, white any number of delicious pastels.  Mortitia  Addams would be appalled!

Looking like elegant maiden aunts in wonderful perpendicular shoes everyone walked to acoustic guitar Nashville strains, surprising  choice for European post-Sloane rangers. Have cohorts of trust fund babies joined the working classes? Is the label set on more Audrey Hepburn and less Bridget Jones?

Applique blossoms,  a bit Gucci’s Autumn 2012 buttons, attached to a clear acrylic jacket, over cream short sleeved silk and a coral pencil skirt, the shape de jour, were echoed in a rose petals-falling finale.

This year the clothes are the story, rather than the dramatic reveal as darkness rolled back to show Hyde Park’s massive greenery in September 2012. Today we had Autumn’s own natural light and shimmering shades  to harmonise with looks for a returning summer.

Fashion savvy?

Will Gompertz didn’t show at the Naim June Paik symposium, on Friday, at Liverpool’s Film/Media centre, FACT.  So  this weblog is mainly directed at him.

Hadley Freeman’s column in The Guardian, is witty, New York in its, acerbic, one-liner style; Dorothy Parker might well be an ancestor. But on Thursday night’s, BBC 2, Culture Show her, non-Freudian, Fashion slip was showing.

Reviewing fourteen year old Tavi’s career, as a Fashion blogger, Freeman associated her with Anna Wintour; revealing  a strange ignorance of the Fashion game.  Tavi might, one day, edit/create/design more than just her own blog but Anna Wintour is not a writer.

If Freeman has seen ‘The September Issue’, ‘The Devil Wears Prada’ or the Marie Claire, vehicle, ‘Running in Heels,’  she would know that Fashion editors do not compete with writers.  They commission works to fit in with overall concepts for specific editions. They collaborate with creative directors to invent new visual forms.  They consult with industry leaders and Fashion designers to inspire cults and trends.

In, David Frankel’s  film, ‘The Devil Wears Prada’ the Fashion world is tied together; its links with the Media and with the clothing industry are revealed  (p.4 * ‘Fashion, Media, Promotion, the new black magic’).

With successful Fashion academics, and writers, in Britain and America and millions of sophisticated Fashion consumers there could be a Media trick to be turned, on something like the Culture Show, with more inclusive, Fashion-savvy, angles waiting to be explored.

Above right: *Celebrating Fashion’s links with Hollywood.