Heroines from novels with green eyes.
Separating Vivien Leigh from Scarlett O’Hara is almost impossible.
When she took on the role of the Pulitzer prize winning American Civil War heroine in ‘Gone with the Wind,‘ in 1937, she became the most viewed, the most famous actress of the 20th century.
In 1999 I was teaching in 6th forms in Yorkshire, and studying with Antony Easthope in Manchester.
Even so, one day, I caught Judy Finnegan and Richard Madeley on ‘This Morning.’ They were reviewing either the whole of the last century, or maybe it was just Cinema!
A viewer phoned in from around Cornwall. She said Scarlett O’Hara was ‘powerful’ first and then ‘beautiful,’secondly. So I had a Feminist role model to write about for a study on Film!
More surprising than this was the so called ‘confession’ from Richard. He said he had carried a photograph of Leigh/Scarlett in his pocket ever since seeing ‘Gone with the Wind’ 20 years earlier!
‘Scarlett O’Hara and the post-bellum New Look’ became a chapter in ‘Fashion, Media, Promotion.’ I learned that the ‘post-war’ Latin tag usually referred to the American Civil War. So people like my daughter, Sally, and my partner, Simon, thought I was better informed than in reality! I chose it to go with the post WW2, Christian Dior, 1947 full-skirted sensation!
The V&A held a celebration of the ‘Golden Age of Couture’ in 2007. There I discovered the tiny waist fetish and the massive audiences following Scarlett were part of the revival of Paris after WW2. I also found actual connections between Vivien Leigh and Christian Dior.
Now I’m IT! On Wednesday 13th November at 1pm, in the Hochhauser Auditorium, Sackler Centre, I’m giving a lunchtime talk! Here’s the listing from the V&A site!
Vivien Leigh – role model or victim figure?
‘LUNCHTIME LECTURE: David Selznick’s, ‘I’ll never recover from that first look,’ gives us a clue to Vivien Leigh’s stage-management of her initial meeting with important producer of ‘Gone with the Wind’, the 20th century’s most watched movie.
Her co-stars thought her ‘blind ambition’ cost her too much, and laid the plot for further exploitation of her enigmatic beauty.
A hundred years since her birth, Jayne Sheridan tells her story of brilliance and despair.